Showing posts with label white. Show all posts

Saturday, April 03, 2021

Week 1 of #AtoZchallenge2021Quilt (Art)

The #AtoZchallenge2021Quilt started April 1 and I posted my first three letters on Instagram. If you didn't catch them, here is a recap.

A is for Art appliqué

The piece is A White History of Art and the image that I used to illustrate Art Appliqué is the close-up of the representation of The White Girl by Whistler.

It was created for Art with Fabric Blog Hop, Fall 2018. It is based on a BBC series called History of Art in Three Colours. This piece is an interpretation of the White episode and the picture below portrays The White Girl by Whistler.

Representation of a Symphony in White, No. 1:
The White Girl by Whistler

Here is an image of the entire piece. If you're interested in reading more about it, see Related links below.

A White History of Art

B is for Batik

The piece is called Peek-a-boo Red. It's totally hand-stitched with embroidery and beading. Peeking out from behind the curtain, you can see the batik hexies.

It's one of four mini art quilts that I create for the Summer Fibrations Art Show by the Out of the Box (OOTB) Artists Group which was held at the Mississippi Valley Textile Museum in Almonte Ontario in June - July 2019.

Peek-a-boo Red with Batik Hexies peeking out from the curtain

C is for Couching and Cording

The piece is called BIG Mandala to Help Heal the World. It was created for the Project Quilting Quarantine 2020. I made my own cording and then couched it down between the different parts of the Mandala.

Hand-made cording that is couched down

BIG Mandala to help heal the world - PQQ 2020

What I learned

I am very impressed that I was really organised and ready to post all of these without too much effort.
I don't generally like to post on Instagram because I have to write all of the information, including # tags on my phone. It's a really pain. It's not perfected yet but I wrote all three posts in a Word document and copied the wording for all three in an email. I was then able to go back to the email, copy the text and post it in Instagram.
I'm actually getting better on my phone, switching from one window to the other....that always made me nervous but I'm better at it now.
Posting from Instagram to the #AtoZchallenge2021Quilt linking party with Frédérique at Quilting, Patchwork, Appliqué using my phone was more of a challenge. I don't think that the problem is with InLinkz (who were very helpful) but with Instagram. Even now I'm wouldn't know that it was linked if not for going on the computer to check.
It's definitely a learning process and I expect to be an expert by the end of April 😊
I'm really glad that it's a really long weekend so that I'll have time to prepare for next week, and maybe even more!

Tuesday, November 06, 2018

A White History of Art - Art with Fabric Blog Hop

Welcome to the fall 2018 edition of the Art with Fabric blog hop. I'm thrilled to be participating again and would like to thank Alida for all of her hard work :-)

A White History of Art

A White History of Art

When Alida said that the theme would be colour, I'm not sure that I saw the "favourite" in front of it. For me colour is everything! I had a few ideas and when I mentioned them to my daughter, she suggested that I watch the BBC documentaries, History of Art in Three Colours. It was a great series that examined the role of gold, blue and white in art. I made notes on each documentary but the third one had me sketching - a very good sign!

I knew that I wanted images representing the shift in how we see art that was partially caused by the role of the colour white in art history.

The premise of the White documentary is that during the Renaissance, white art, particularly the sculptures of the Greek and Roman times, were seen as representing purity, simplicity, and elegance. White slowly evolved to represent the elite art of the establishment and eventually the superior white of conquerors.

The White of the Renaissance

The top corner images represent the Greek and Roman marble sculptures that were so admired from the Renaissance to the early 19th century.

Marble bust of a Goddess

In the top space are free motion quilted or embroidered words: purity, elegance, virtues, and simplicity.

Marble torso of a man

In the top centre is a piece representing a white honey dish, made by the potter Josiah Wedgwood. Wedgwood experimented for years before coming up with the perfect white glaze for pottery.

White honey dish in a style made by Josiah Wedgwood.

White as elitist

The purity of white that was so revered from Renaissance, slowly changed from elegant and virtuous to represent an elitist, cold and sterile perfection in the modern era. As described in the documentary, one of the artists who started art's journey toward this exclusive and elitist path was James Abbott McNeill Whistler, an American who lived mostly in England.

Representation of a Symphony in White, No. 1: The White Girl by Whistler

Through his paintings and the manner in which he displayed his art, Whistler represented a world where art was less approachable and more exclusive. He was one of the first artists to present his paintings on white walls with large spaces between each painting. Before this time, paintings were usually hung on walls with very little space between them, almost from floor to ceiling.

This change, which was eventually called the white cube, resulted in art galleries, and the art within, to be seen as special spaces that were less accessible to the general public. The image below is the White Cube.

White cube - a huge shift in how we view art

During the years that followed, many modern artists started rebelling from this view of art. One of these is my daughter's favourite artist, Marcel Duchamp. In 1917 he created Fountain. My image isn't that obvious but it's a very white porcelain urinal. This was part of Duchamp's use of "ready-mades", everyday objects seen as art.

Fountain - questioning what we see as art

From Duchamp, the documentary takes a journey to the fascist environment in Europe around the Second World War. It would seem that Hitler, Franco and Mussolini were huge fans of the purity of white marble. They had buildings, sculptures and monuments built to represent the new era. At this time, white is seen as austere and superior - the blanc moral. It is the colour of conquerors.

The fascist view of white art

The White documentary approached the history of art from a different point of view. I found it all very fascinating. My hope for the future is that art starts being more accessible as it is shared and seen across the world through the internet. I also believe that the definition of art is also changing as people who would never have considered themselves artists a couple of decades ago are now seeing themselves and are being accepted as such. I suspect that the white history of art is far from finished!

What I learned

The background is an improvisation of white and off-white batiks that I used to make the background diamonds of the Kingfisher Stitch-Along blocks.
I used many techniques to create this piece. I started with the centre panel of the White Girl. I wanted to make her three dimensional since there is no reason for a dress to be flat! I even pleated the top of her dress. It took a lot of experimenting but eventually I managed to get it all together.
Next came the marble torso and bust. For the torso, I was able to use an image, freezer paper, a light box and free motion quilting (FMQ) to get a fair semblance of a ripped torso. I didn't have any luck with that technique for the bust of the Goddess. I ended up using some photo transfer medium to create it. Unfortunately it turned out more grey than white. I covered it in white gauze to get a paler colour.
The white honey pot was a lot of fun to make. I used a shimmering tulle for the background and then used some shiny sheer fabric for the pot. I even added some metallic thread through the bobbin in the FMQ. Finally I found some perfect lace to go around the tulle to give it the look of a table cloth.
The fountain was next. In hindsight, I wish that I had chosen an image that showed it from a different angle so that it looked more like a urinal. I used a rougher, looser woven fabric for the background, with the look of burlap - to contrast with the shininess of the satin of the Fountain.
The last two images were commissioned by Mussolini. There is the marble obelisk which has Mussolini's name engraved upon it and the marble statue of a boxer at the Stadio dei Marmi in Rome.
I added words that were used in the different eras to talk about white. Some are embroidered while others are FMQ. The latter are much more legible but the embroidery adds texture.