Hi and welcome! I've been busy getting ready for the Out-of-the-box Fibre Artist's show, Fibre Fling 2026. I've done more quilting than art recently so I'm now working hard to finish three art pieces to put into the show. See, UFOs (UnFinished Objects) can come in handy!😊
Nature's Textures
In September of 2024, I took a course with Fleur Woods entitled Joyful Embroidery, offered through Fibre Arts Take Two. I learned many techniques and during 2024 worked on two different pieces which I shared with you in the blog. One of the advantages of the Take Two courses is that once you're enrolled, you have access to the course but you also can join the teacher every time the course if offered to a new group. I was happy to resume the course this winter when Fleur Woods' course was offered again. Another perk of the course is that you can submit to participate in the course's online exhibitions. I wasn't ready to submit anything after the 2024 course but that's what I'm now working on.
It's still a work in progress but I can see the end, even if I'm not sure what to add 😁
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| A few empty spaces to fill |
The last time I shared this class's progress, on January 1, 2025, I was working on two separate pieces.
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| Punch needle and embroidery project |
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| Embroidery on the hand-painted fabric |
When I read the theme for this year's online exhibition, Nature's Textures, I decided to make the embroidery and punch needle piece smaller and add some of my original embroidery. It's been so much fun thinking up things to include and to try to make the piece cohesive.
A few details
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| Details of the left side of the piece |
At the top I attached one of my black-eyed susan flowers. I also padded it with batting to give it some depth.
Underneath it, I covered the area with hand-dyed fabric and added three woven picot stitches in dark green perle cotton to look like fern leaves.
Underneath that is a little pond with pink lilies in the water. The pond is the backside of a punch needle, surrounded by punch needle on the right side (which is 3D).
Beneath the leaves is a piece of pink batik that I embroidered to look like flowers.
On the edge of the top of this photo I added a brown coiled fabric and a nut on top.
On the original version, I had attached a spool of thread. Since the theme is Nature's Texture, I changed it into a log with moss.
I also cut leaves from a fabric and backed it with an iron-on adhesive fabric so that the leaves are stiffer and don't need to be totally tacked down.
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| Details of the bottom left side of the piece |
Next to it is a green coil as well as a piece of green fabric with a few yellow-green woven picot leaves.
Beneath that is a gathered piece of green fabric standing upright. It has frayed edges. The monk cloth beneath is finished with yellow-green back stitch.
The sections in the middle were made in 2024 - you can read more about them in previous posts listed in the Related links section.
I want to mention that the textured blue and green fabric surrounded by beads is a technique that I learned from Mirjam Gielen through Patreon. It's a fabric manipulation technique called "cuir froissé" or "creased leather". Details are in my November 20, 2024 post.
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| Details from the other side |
Beneath the punch needle dark brown leaf shape, I added a flower - it's a specific rug hooking technique called Proddy that originates from the Yorkshire Dales. It used fabric strips to create wonderful high-relief texture. I added a couple of backed fabric leaves next to it.
At the bottom, there is a purple thread woven flower surrounded by yellow perle cotton. The purple weaving was done with hand-dyed silk thread that I bought from Karen Turner. The final bright yellow perle cotton border is made with detached blanket stitch, as taught by Mirjam Gielen.
The right edge has an embroidered clover. I used an amazing book that I've had for over 40 years, Wild Flowers of the North by botanist Ruby Gibbins Bryan and artist Muriel Newton-White. It's one of my most cherished books. The images are all hand-drawn in black and white and each plant/flower has lots of information about it. I'm a big fan of clover, so this is a red clover plant. I used Karen Turner's hand-dyed silk for the flower and even stitched the tiny leaflets in tiny woven picot stitches.
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| Red clover plant in progress |
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| Wild Flowers of the North |
I'm really happy with my piece, "Views Both Far and Near" so far and I've learned so much making it.
Next Steps
- As you can see from the images, I don't have much left to cover the background monk's cloth. However, I want it to be thought out and deliberate - not just adding things to finish it.
- Considering that I've spent the last day doing sketch book art, I would say that I'm really not sure what comes next. That's OK - now I'll do a little bit of "research" to get ideas on how I should finish this.
- I'm sure that I'll be adding in more details such as more stitches on the clover to make it slightly puffier.
- In the photo below, you can see what the piece looks like now. I machine stitched a strip of fabric to the right side, and then had to hand-stitch the other side down since there was so much texture in the way.
- Once all four strips are attached, I'll stay-stitch the monk's cloth and then cut it away from underneath the green strips.
- It will then be time to attach the whole thing to the 12" x 10" canvas. I may put batting between the canvas and monk cloth.
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| Views Both Far and Near - so far |
What I learned
- The hardest part about making this piece was to reconcile that I was making both landscape and close-up views of natural elements. I would usually do only one or the other, but since it's an abstract piece, who says that I can't do both? It took me a while to give myself permission to do so.
- Based on the point above, I've decided to name this piece, "Views Both Far and Near".
- As you can see, I used and learned many wonderful techniques to make this piece. That's what keeps me happy and stitching!
- With our Take Two courses, we have a bonus course on how to photograph our art using cell phones. I've watched part of it but will have to finish it and then use what I've learned to photograph my piece.
- I'll share with you any tips that I learn 😊
Related links
- Joyful Embroidery posts
- Updates and Happy New Year!, January 01, 2026
- Many Updates and Free Motion Mavericks, November 20, 2024
- Scraps, Embroidery and Free Motion Mavericks, October 31, 2024
- More Joyful Embroidery and Free Motion Mavericks, October 23, 2024
- Joyful Embroidery with Fleur Woods and Free Motion Mavericks, October 10, 2024
- A bit of this and that and Free Motion Mavericks, September 26, 2024
- Mirjam Gielen, Patreon and Instagram
- Karen Turner and her shop
- Proddy rug hooking, Heather Ritchie's Guide to Making a Proddy Rug
- Wild Flowers of the North by botanist Ruby Gibbins Bryan and artist Muriel Newton-White
Linking parties
I'll be linking up to many fun linking parties. You may want to check some out before you link up below 😍 Monday Musings, Put your foot down, Sew & Tell, Off The Wall Friday, Finished (Or Not) Friday, Patchwork & Quilts, 15 Minutes to Stitch 2026, Slow Sunday Stitching,
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I Quilted This!
Welcome to the I Quilted This! linking party that celebrates quilting on a domestic machine or custom quilting on a long-arm. Feel free to link up and share any recent project, even if you're not quilting it! Here are the posts that included FMQ, ruler work and walking foot quilting last week. Thanks for linking up 😊 and feel free to grab the button.
We have a quiet week in the quilting world - but that's OK - most people were probably busy with family and such.
Kat from Scrapbox Quilts made a green scrappy placemat for the monthly color challenge at Freemotion By The River. What a lovely green placemat.
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| Kat's blocks in her scrappy green placemat. |
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| The back of Kat's green scrappy placemat |
It's now your turn 😍
