Showing posts with label Vinny Stapley. Show all posts

Sunday, November 01, 2020

Translucent meanderings

I can't say enough about how much I've enjoyed playing with fabrics with TextileArtist.org's Stitch Challenge 2020. As you saw from my last post, I have even used free motion quilting (FMQ) in some of these projects.

Using sheers on my abstract template

This is the first piece that I did based on Sabine Kaner's workshop. She showed us how to make an abstract template by crumpling a piece of paper and then drawing along the ridges of the lines. You can read more about it in my last post which is in Related links below. For this first piece, I used a regular sheet of printing paper, which resulted in lots of lines!

My first impression was of a map of a country or a continent, but I kept it abstract as I put things together. Sabine Kaner's art is abstract but she doesn't use sheer fabrics. It's almost all recycled fabrics with lots of heavier textiles like wool, with lots of texture. I love the look of her work but I had just finished Vinny Stapley's workshop where she works mostly with sheers. I just didn't want to stop working with sheers, so I interpreted Sabine's workshop in translucent fabrics. It made for a very different project.

Working again with sheer fabrics

Here is my crumpled paper pattern placed over the light box. There were some really small sections that would have been impossible for me to applique with different fabrics, so I placed sheer fabrics over a couple of areas, but embroidered them to reflect the small sections within them.

Abstract paper template

This is what the piece looks like when it isn't in front of a window. The colours are much more vibrant.

Translucent Meanderings

As I looked closely, there is something really cool that happens to the stitching when the piece is in front of a window as opposed to against the wall. You can see both here.

Stitches seen against the wall

Stitches seen through the light

As I was writing this post, I had the piece in front of me, leaning on the window. I observed those cool stitches at the very top of the piece and was wondering how I got that effect. They look almost like a chain stitch - but upon closer inspection, I saw that they were a blanket stitch - that I could see both the front and back of!!!! How cool is that?😊

You can also see this kind of effect in the pink piece on the top right of the piece. Against the wall, they are just ordinary seed stitches, but against the window, they are meandering all over the place. Even the running stitches appear as one solid line against the light.

Sheer remnants - what lovely colours :-)

The sheer fabrics that make up the piece are from all over the place. The backing is from a sheer pair of curtains that I purchased at Ikea (I have great plans for them!). I used some very fine silk from a scarf that I picked up in China, a black lace camisole that was my mother's, on fabric that I attempted to sew into a skirt for my daughter and another from a rather useless see-through bathing suit cover! Last month I dyed some silk organza and a little bit made it into this piece. The flower at the top of the piece is from a piece of commercial lace. I also used all kinds of thread and embroidery floss in the piece, including some couched yarn.

As you may imagine, I am now on the lookout for all kinds of sheer fabrics and I plan on dyeing more silk organza. I believe that these last two projects with sheer fabrics are the beginning of some great fun and adventure!😊

What I learned

I find that hand-stitching sheer fabrics is a lot easier than machine-stitching them.
It looks like I'm going to be collecting more than just quilting cottons! There are so many kinds of sheer fabrics - from old curtains to some lovely sheers and tulles of all colours.
I also love dyeing silk organza. The colours are so rich. So far I have some amazing fuchsia, violet and dark purple. It's going to be a lot of fun playing with the different dyes!

Monday, October 19, 2020

Playing with sheer fabrics

Have I told you how much I love playing with textiles lately? It would seem that I'm smitten! As you may know, I've been taking part in the TextileArtist.org's Stitch Club 2020 since it first started this spring. It has brought stitchers together with amazing workshops by guest textile artists.

TextileArtist.org's Stitch Club 2020

Flower Impressions - pink campion

The platform has really evolved since its creation - from having 3 workshops in a row with one week off, to now having workshops that last 2 weeks each. At the beginning of the week, there is a first video by the guest teacher, with a beautiful workbook and an inspiration book of the artist's other work. At the end of the first week, the artist records her answers to questions that are asked by the students. This is always wonderfully rich with information. Then at the beginning of week 2, there is a short video on how to take the techniques further, and then more Q&A at the end of the second week. During the two weeks, the teacher is there to guide the student and give feedback. A lot of students post their work and it's always wonderful to see all of the different takes on the same exercise.

TextileArtist.org

It's been such an amazing learning experience. I've done many of the workshops and have learned so much from them all. Some techniques I loved while others I may eventually use. There is always something to learn - and we can access those videos later if we wish to go back to complete some of the workshops that we've skipped.

Last week's workshop was with Vinny Stapley. I had read an article about her work on the TextileArtist.org site and fell in love with her work. I was thinking that it would be so lovely to be able to have her as a teacher....well it turns out that she was our teacher for the next two weeks. Her work is mostly on very light, sheer fabrics. I think that it's all very stunning (her website is in Related links below).

Pink Campion flowers

Pink Campion

Here are the pictures of the flowers that inspired my project. These are pink campions. They are self-seeding and used to move around the garden but for the last few years they always come back to the same spot.

Here is the process for creating this sheer piece.

Elements pinned in place

I created a background starting with a sheer but relatively firm piece of fabric. On top of that, I added one narrow strip of very colourful sheer fabric with a few more pieces of more solid sheers next to it.

I then made a template of the pink campion flower and cut three from different sheer fabrics. One was the colourful sheer and the others were grey and blue.

After deciding on the layout, I pinned them down and began to stitch them. I used my hand-dyed gray perle cotton for the gray flower, and then green and blue floss for the other two flowers.

Stitching the leaves and stems

Close-up of the different flowers

You can see the stitching here. The stem of the colourful flower was accidentally cut but was eventually stitched back. Once the leaves and the stems were stitched down, it was time to add the flowers. For this, I used my pink hand-dyed perle cotton - it was just perfect for it!

Slowly the flowers and buds came to life. Each flower was stitched differently so that I could try out different techniques.

Adding the flowers and the buds

The colours look quite different depending on where the pictures were taken. My neighbour's siding probably gives the best background but they did look good overlooking the garden.

Hanging from a side window overlooking
the neighbour's siding

Hanging from the dining room window,
looking out into the back garden

In the first image at the top as well as in this one, the wall hanging is on my studio wall. The window was open and it was lightly blowing in the breeze.

Blowing slightly in the breeze from the window